About Drawn To Good

I've been called "an artist who loves her spreadsheets" — and it's the most accurate job title I've ever had.

I hold a BFA from Rhode Island School of Design and an MFA from Mason Gross School of the Arts at Rutgers, and I've spent two decades since working at the intersection of art and institutions — reading budgets, managing boards, negotiating contracts, understanding an artist's process.

I understand how artists think and work, and how municipalities and boards operate — most people are fluent in one side of that conversation; I speak both. I listen before I translate: asking artists what they need to do their best work, and asking municipal staff what they need to feel confident saying yes.

As administrator of cultural and heritage affairs for a municipality, I project-managed public murals, temporary sculpture installations, and a Smithsonian-affiliated exhibition, while curating two exhibitions of my own. Artists like working with me because I speak their language; municipalities like working with me because nothing falls through the cracks.

I bring energy to projects and order to process — as a consultant, without needing a desk full-time. I come in, solve the problem, build the systems that make it repeatable, and hand it off in better shape than I found it.